Homer
Homer (/ˈhoʊmər/; Ancient Greek: Ὅμηρος [hómɛːros], Hómēros) is the legendary author to whom the authorship of the Iliad and the Odyssey (the two epic poems that are the foundational works of ancient Greek literature) is attributed. He is regarded as one of the greatest and most influential authors of all time.[2] For example, in Dante Alighieri's Divine Comedy, Virgil refers to him as "Poet sovereign", king of all poets;[3] in the preface to his translation of the Iliad, Alexander Pope acknowledges that Homer has always been considered the "greatest of poets".
The Iliad is set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Mycenaean Greek kingdoms. It focuses on a quarrel between King Agamemnon and the warrior Achilles lasting a few weeks during the last year of the war. The Odyssey focuses on the ten-year journey home of Odysseus, king of Ithaca, after the fall of Troy.
The Homeric epics were a defining influence on ancient Greek culture and education. To Plato, Homer was simply the one who "has taught Greece" (τὴν Ἑλλάδα πεπαίδευκεν, tēn Helláda pepaídeuken).[5][6] From antiquity until the present day, the influence of Homeric epic on Western civilization has been great, inspiring many of its most famous works of literature, music, art and film.
The question of by whom, when, where and under what circumstances the Iliad and Odyssey were composed continues to be debated. It is generally accepted that the two works were written by different authors.[8] It is thought that the poems were composed at some point around the late eighth or early seventh century BC.[8] Many accounts of Homer's life circulated in classical antiquity, the most widespread being that he was a blind bard from Ionia, a region of central coastal Anatolia in present-day Turkey. Modern scholars consider these accounts legendary.
The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic. Most researchers believe that the poems were originally transmitted orally.
Today only the Iliad and the Odyssey are associated with the name 'Homer'. In antiquity, a very large number of other works were sometimes attributed to him, including the Homeric Hymns, the Contest of Homer and Hesiod, the Little Iliad, the Nostoi, the Thebaid, the Cypria, the Epigoni, the comic mini-epic Batrachomyomachia ("The Frog-Mouse War"), the Margites, the Capture of Oechalia, and the Phocais. These claims are not considered authentic today and were by no means universally accepted in the ancient world. As with the multitude of legends surrounding Homer's life, they indicate little more than the centrality of Homer to ancient Greek culture.
Some ancient claims about Homer were established early and repeated often. They include that Homer was blind (taking as self-referential a passage describing the blind bard Demodocus),[16][17] that he resided at Chios, that he was the son of the river Meles and the nymph Critheïs, that he was a wandering bard, that he composed a varying list of other works (the "Homerica"), that he died either in Ios or after failing to solve a riddle set by fishermen, and various explanations for the name "Homer" (Ὅμηρος : Hómēros).
The two best known ancient biographies of Homer are the Life of Homer by the Pseudo-Herodotus and the Contest of Homer and Hesiod.
In the early 4th century BC Alcidamas composed a fictional account of a poetry contest at Chalcis with both Homer and Hesiod. Homer was expected to win, and answered all of Hesiod's questions and puzzles with ease. Then, each of the poets was invited to recite the best passage from their work. Hesiod selected the beginning of Works and Days: "When the Pleiades born of Atlas ... all in due season". Homer chose a description of Greek warriors in formation, facing the foe, taken from the Iliad. Though the crowd acclaimed Homer victor, the judge awarded Hesiod the prize; the poet who praised husbandry, he said, was greater than the one who told tales of battles and slaughter.
The orally transmitted Homeric poems were put into written form at some point between the eighth and sixth centuries BC. Some scholars believe that they were dictated to a scribe by the poet and that our inherited versions of the Iliad and Odyssey were in origin orally-dictated texts.[66] Albert Lord noted that the Balkan bards that he was studying revised and expanded their songs in their process of dictating.[67] Some scholars hypothesize that a similar process of revision and expansion occurred when the Homeric poems were first written down.
Other scholars hold that, after the poems were created in the eighth century, they continued to be orally transmitted with considerable revision until they were written down in the sixth century.[70] After textualisation, the poems were each divided into 24 rhapsodes, today referred to as books, and labelled by the letters of the Greek alphabet. Most scholars attribute the book divisions to the Hellenistic scholars of Alexandria, in Egypt.[71] Some trace the divisions back further to the Classical period.[72] Very few credit Homer himself with the divisions.
In antiquity, it was widely held that the Homeric poems were collected and organised in Athens in the late sixth century BC by the tyrant Peisistratos (died 528/7 BC), in what subsequent scholars have dubbed the "Peisistratean recension".[74][22] The idea that the Homeric poems were originally transmitted orally and first written down during the reign of Peisistratos is referenced by the first-century BC Roman orator Cicero and is also referenced in a number of other surviving sources, including two ancient Lives of Homer.[22] From around 150 BC, the texts of the Homeric poems seem to have become relatively established. After the establishment of the Library of Alexandria, Homeric scholars such as Zenodotus of Ephesus, Aristophanes of Byzantium and in particular Aristarchus of Samothrace helped establish a canonical text.
The first printed edition of Homer was produced in 1488 in Milan, Italy. Today scholars use medieval manuscripts, papyri and other sources; some argue for a "multi-text" view, rather than seeking a single definitive text. The nineteenth-century edition of Arthur Ludwich mainly follows Aristarchus's work, whereas van Thiel's (1991, 1996) follows the medieval vulgate. Others, such as Martin West (1998–2000) or T.W. Allen, fall somewhere between these two extremes.
Courtesy---wikipedia
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